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  • The Elves - Day 1

    06.05.2020 I've started to read my copy of Anna Katmore's new book - "Herzlicht " (Light of the Heart)*. The chapters are short and crisp and filled to the brim with information about spirit guides, angels and the like. A quick reference guide, so to speak. Since I have been reading almost everything that comes under my nose in spiritual (non-fiction) books since I was 18 years old, I lie down in the evening, read and meditate on the topic of the current chapter. I have been doing this for years, and by now I arrive in my inner world quickly. Usually, I visit my "white matrix" or my safe place (flower meadow). This time, however, I transported myself to the "plane of the elves" – the dwelling place of my book characters – for the first time! Normally I just stand by and watch all the fictional(!?) things happening to Moira, Elhin, and the rest of the characters who have been guiding me through my novels for years now. Within the meditation, however, my experience suddenly felt completely different! I had to write down the results immediately in the morning. [Note: The first days of my challenge I unfortunately did not write down word by word or make audio recordings. I regret that to this day]. Moira & Elhin: We are pure thought energy. We live in the 'grid of all ideas' - the morphic field. And actually in Cornwall [where the novels are set] or, more precisely, above Cornwall. Not physically, but we – the story universe of the Dragon Child – live there in that frequency domain. T: How can I imagine this in more detail? Moira: The morphic field looks like a fishing net cast over the earth. It lies directly above the atmosphere and consists of squares. A mesh, just like a fishnet. But of course these are all highly simplified concepts and actually inappropriate descriptive words for a non-physical grid system. The Earth also has a grid, e.g., formed by your system of longitude/latitude or by ley lines. Each of the "quadrants" in this grid (morphic field) is additionally traversed by ALL frequencies possible. If you imagine this fishnet is cut like a piece of cloth so you can see how it is woven, "threads" run through this piece of cloth over the whole length and width of our planet. These threads look like amplitudes and have the colours corresponding to their frequency [red, orange, yellow, green, blue, and purple, forming white together]. So even in the same quadrant of this net, in the same geographical place, in the same cultural area, and on the same frequency (e.g. green = heart/love vibration) there are higher-lying points on the amplitude and lower-lying points. What does the grid contain? Well, the morphic field is the place where your collective memory lives. That's why it is also called the Akasha record. This is already known. But in addition to that, the morphic field contains all the inventions, stories, rituals etc. And this in every energetic expression or in every oscillation frequency possible for earth. On every point of this energy grid dwells ONE, theoretically targetable energy or idea with ONE possible translation into a fictional story. That is, in the 2-D section "Great Britain" alone, with all the atmosphere that people associate with it [history, culture, religious practices, nature, ley lines, ...], there is an almost infinite number of points that can be targeted. Or in other words: On each single point, there lives a complete story universe! For example: A love story can have a very low vibration. You know intuitively that this translates into a plot with lots of envy, jealousy etc. The same story with almost the same protagonists could also have a much higher vibration. It would then be described with less intense struggles, the problems would be different, less "violent". The low vibrating love story would sit within the same grid field on a lower point, the less violent version on a higher point of the same amplitude. Now: Even if two people from the same area on earth access the same grid field in the morphic field and connect to the same point (the same invention for example), they still interpret the energy frequency of the idea differently because they are individuals! To access the same segment of the morphic field from another point of the earth will naturally lead again to another result. Science knows this! The basic idea, which can lie only on this one point energetically, is there, has always been there and will always be there. You can aim at it, you can grab it ("have the idea" and "bring it into existence") but you can never "invent" it yourself in the way that you conventionally think. The idea is not yours and it never has been. T: Interesting! I always thought I subconsciously targeted the "Cornwall" area for my story because I was drawn there by past lives or something like that, and because I felt the story would fit in well there. Elhin: Ideally, the person who draws from the morphic field senses that the story point they feel good about is ANCHORED to a cultural setting of a particular place. Strictly speaking, it is very difficult to draw such a concept idea from the morphic field without noticing its inherent culture. If you dream up a story of a harem, it is obvious to you that the story is not set among the Navaho Indians. That's already in the vocabulary. T: That would also mean that I must not detach the idea from the cultural background, because otherwise, I bend something out of its natural shape. E: And that's what stands out. You run into problems that wouldn't have occurred in the original setting, and all the things that fit together like cogwheels in the original story shatter into a thousand pieces. With such a story, starting from the point of your decision to change something, you will experience a lot of work and little joy. Which is why people also like to use someone else's story for themselves. Here, too, the result of you is noticeable - and sometimes causes heated, almost religious discussions. Original and copy decide themselves namely above all by the following: Who consciously or unconsciously accesses the morphic field by thought power and picks up an idea from there, finally forms a mathematical vector from his earth standpoint to the field, which has a theoretically measurable length. Who copies the idea of another for-profit purposes, however, does not reach into the field and does not create a vector from the earth to the story point. The "copy" vector is only as long as from the plagiarist's point of view to the original storyteller's point of view. The popular saying then is that the story would be FLAT! Quite fitting! The effort (which can be described in physics as a vector of distance) is accordingly tiny. Many humans feel this, however. They know when they are short changed energetically. After this first positive shock with this insanely interesting detailed information, I immediately wrote to Anna, the author of "Herzlicht "*, and told her about my immediate success. Because we know each other quite well, she then added several more very good tips for my work. It was about money, about writing .... everything. And of course, she said, I have to keep reading. No problem, now I'm completely hooked! *The book, the rights of which were bought by the german Schirner-Verlag, is now titled "Light Beings - the invisible world around us" and is sold everywhere books are sold.

  • The Elves - Day 2

    07.05.2020 This afternoon, I accepted the challenge again and lay down comfortably. First I listened to "Brain Music", namely the "God frequency" and then with 60Hz, the so-called alignment frequency. YouTube really does cater to every taste. ;) Still, it turned out to be a bad idea, Metal just works much better on me! ;) Unfortunately, not much came through today. But even the feeling of being there again, to be at home on the plane of the elves, relieves my worries and recharges my soul. Much more interesting was what happened on the outside - on my bodily level - today. I had just switched over to Blind Guardian when some fascinating lyrics were said! (For copyright reasons I can't post them here, but the complete song "Point of No Return" is about someone visiting an Otherworld within and expanding their mind to experience miracles. At least that's what this song is about FOR ME. ;) I always get especially tingly at the words, "Find the key to be free!" But that was not all, not by a long shot. The moment the singer says "find the key to be free" my husband comes out on the patio and gives me an absolutely great, long kiss! And my son cuddles me. And my two screen junkies play out in the sun for three minutes or so. I was completely gobsmacked. Magic?! After that, I didn't really get back to Elhin and Moira, but the message for today was clear anyway. The music I listen to is ALWAYS on shuffle and contains 24 hours + of music. And yet exactly the right lyrics find me at exactly the right time. Only two other things we were able to slip in today: Moira said (looking at her son Tayrenn playing on the floor), "He's not ready yet." So he won't be telling me anything for the dragon child book series anytime soon. That's fine by me. Then, at the very end, I was given a revelation that really hurt ... because you want to facepalm with all the energy your arm can muster. Some things are SO obvious and you still have to be told. The plane of the elves is my "magic meadow"! My soul's safe space! [For more on the magic meadow, see the "Learn to meditate" section!] If he could have, Elhin might have died of laughter in that moment. He said: "Yeah, right! That's the way this is!" Despite this breakthrough, I wasn't entirely happy with the yield of day two. I know, I'm hard to please. But one thing is absolutely clear: I have to continue with this challenge. Even if the results can't always be as fantastic as that physics lesson yesterday. I want to know morem so I'll have to keep meditating. Daily. In the morning, with some incense. In the evening, before going to bed. Or in the afternoon, when I always get tired anyway. This has to become my personal challenge, at least for the next weeks. Every day. No excuses. I'll continue to record the results neatly, with the exact dates, here in my physical paper notebook. Better yet, I'll keep this challenge up until at least until the end of June. Or even better ... I'll never again go without it. Not at all. [Looking back from 2021, all I can say is: that's exactly how it turned out. I didn't stop at all and I now have seven handwritten journals in my possession, that I consider to be holy. Holy for me, because they contain ME and All-that-I-am in relation to All-that-is, if that makes sense.]

  • The Elves - Day 4

    09.05.2020 Since the new chapter of my channeling book "Herzlicht" was about spirit animals, I sent a distinct thought of invitation to my spirit animal before I even reached the door to Elhin's house. A mere second later, a horse came running! My objection that I didn't like horses was wiped away. The black horse quickly turned into a woman, slipped through the door with me and played with the Dragonchild on the floor. When I cautiously asked why it had to be the horse of all animals, they said: Horses are unstoppable. They are used to long, continuous and hard work. Since I was out for a walk with my friend A. today, I immediately asked my most pressing question: Am I - as she says - the CHRONICLER of the elves? Moira: Yes. You are the first and only scribe of this point in the grid of ideas. In the morphic field. You were born for this. Other scribes work with other points on the grid in other corners of the world, but this is yours. Your mission. You manifest the story the elves have to tell. T: So why were there so many mistakes in the first edition? For example, that awful thing with the times and dates? And stylistically it could also have been better. M: We are not responsible for numbers and dates. And you were a complete beginner. It was your first piece of the puzzle and you hardly knew what you were doing - not to mention the implications of your work. To make things easier in the future, Elhin and Moira widened my channel. Strengthened my antenna, if you will. Oh man, that feels awesome! Like someone pushes aside a heavy curtain and let the sunshine in. Immediately I could hear them better and concentrate better. In this completely relaxed state, I was even allowed to make a wish. Since I like garden loungers for meditation, but they are a bit narrow and uncomfortable in the long run, I wished for a really great lounger for my creative room. Let's see when that comes into my life! If the next few days of the challenge continue anything like the ones I've had so far, I really will be at a completely new point in my own personal history in a month's time. However, there also was a scary part today. Because Elhin and Moira also said: Similar to the Neverending Story, they really need my help urgently! If I am the only one who can access this story, then I must help it manifest. And I need to do it as fast as I can! Dismayed, Moira added: We're on a real tipping point. Time is running out for this particular story point to be accessible. Because the grid is shifting and there is nothing we can do about it. It will continue to exist, and we will not cease to exist either, but the grid will have been rearranged. It will be different. People trigger the shift of the morphic field without wanting to. You are tearing down something that you do not understand, as you so often do. Everything will be affected by it. It is not the spiritual people who trigger a positive shift. It is the non-spiritual people who trigger this rather unpleasant, massive shift. Therefore, tell others to listen to us - to the well-meaning voices in their heads." I've honestly been begging to be bothered with parts of the Dragonchild story more often and more forcefully. It's not like I'm trying to fight back, but often I don't have a strong impulse. That has to change. It's okay if it pushes me! Shockingly, Moira finished by saying: Nothing can really hurt us or bury us or end us. Except if you stop writing for us. If you quit, then another soul would have to be born to work with us. That would cost us a lot of precious time. [That these few small words "to work with us" have a much larger scope, and that they were not referring to just the Elves and the dragon child legend, I understood many months later. If there's one thing I've learned from talking to the aspects, it's that they NEVER just talk about your little question in just this moment ...]

  • The Elves - Day 5

    10.05.2020 Today I was thinking about a spell when I entered my meditation. One I could recite to arrive in the white matrix or on the Elven plane more easily. [In retrospect, this came to absolutely nothing, but at the end of 2020 I had a complete and excellent prayer to summon my partners!] When I arrived at the house, the mood was strangely sombre. In the spirit world, that is highly unusual, because there is not much to be sad about! Moira showed me a picture almost like a hologram of the floating Elven plane. Crumbs of soil were constantly falling off from the underside. I don't know how that fits in with a timeless, non-physical space, but Moira's worries are very real to me. That is why today, instead of only ever receiving it, I gave energy to THEM. I enlarged my aura to the size of the plane and its protective bubble. It was glorious! After thanking me, Moira nonetheless said: "It's a sad day for storydom." It almost sounds to me like a scribe died somewhere - or a story universe! But I couldn't find out more about this. The Elven Queen, Trel, led me away from the house and into a scene for the book that seems to be important to her in the near future. She also gave me three tasks: Put on the identifying signs of a scribe (for example my dearly beloved silver necklace with the feather). Keep working on the new "Pre-Chronicle", this helps a lot to keep all the strands together [I've started sorting my offline notes exactly the same way they are organised in my writing program on my pc: Headlines in the correct order on the left, text snippets on the right. Authors are just a bit peculiar I guess. ;)] The questions I uncover while sorting my notes for the novels I can use as interview questions for the Elves. Because, here it comes: Even from their higher vantage point, the Elves CANNOT see, how far their own manuscript has progressed! I could really just shake my head at this, sighing deeply. But in the end, I was shown a wonderful little thing - the greeting of the Elves: You interlace the fingers of the same hand, bring the two hands to the heart of one, to the heart of the other and come back to the centre. Then both hands together describe a big circle between the two or around both. So cool! Because I'm not an anthropologist, my only layman's reference point for this is Disney's movie "Pocahontas", where the heroine signs a tribal greeting of farewell and good luck in the end. There seems to be just SO MUCH we "modern people" don't understand ...

  • The Elves - Day 6

    11.05.2020 Today was weird. Cool, but very weird and funny. First, I wasn't IN the house today, but in the meadow behind it. Also, Teal [the adult dragon warrior from my novels] was with me most of the time. I didn't see Moira and Elhin at all. But I had a strong feeling of euphoria and joy (after the rather sad mood yesterday.) Teal said: "We are celebrating! We're so glad you're finally doing the work and actually coming around every day. The period now - your 'challenge' - is your initiation. It is unspeakably important. And we're also celebrating that after ten years you've finally realised how important our joint project is (and what it is in the first place)." At the same time, unfortunately, I had a terrible time concentrating today and kept going from the lawn into scenes in the novel. When I asked about this, Teal said: "Just like you, we can step in and out of the story. And we, like real actors, are by no means immune to the emotions of acting. Because we vibrate quite low compared to other entities, we actually go through the rollercoaster of emotions. Just like on a film set, we can jump into any moment of the script." [The rest of the session we talked about new scenes for the novel and I don't want to spoil anyone's fun. ;) ] Addendum from me: A book about a chronicler would be cool. She has to watch the world she describes collapse and be destroyed because her time is running out. That would be so terrible to watch, yet so awesome!!!

  • The Elves - Day 7

    12.05.2020 I can't believe I've been doing my challenge for a week now - it feels much shorter! The session today was unfortunately short and rather chaotic. I was lying on the porch and quickly got cold. For the second time in a row, I also forgot to set my alarm clock to wake me after 40 minutes. But: I flew onto the plane for the first time - transformed into a bird. I had done this several times in the past years as part of a meditation. Elhin wanted to talk shop about bows and similar things behind the house, but unfortunately, we didn't get around to do that. He remarked: "Do you think channeling is always just sitting around and talking?" Well ... I guess not? The most important issue today was that I may be missing scenes in the current Dragon Child manuscript! I get that feeling from time to time. I'll have to check. Otherwise, I "have" to write down the most urgent thing as soon as possible - at the moment it's a scene between one of the spies and the queen. Unfortunately, I have to work the whole month of May, which is tearing everything up a bit. But fortunately, it's only a little over ten hours a week - Corona makes a lot possible these days! At the end of the session Elhin (of course) had to take the cake again by explaining: "The only way we'll finally know exactly how the manuscript sounds ... is if you read it out loud." T: Oi! Seriously now?! I would have needed to know that two books ago!

  • The Elves - Day 8

    13.05.2020 Today I came to Elhin's house quickly, but nobody was there. I was about to panic and went back to the front of the house when the DRAGONS landed on the surrounding roofs! Rezan was there (he has black scales), Rachel (blue), Rossett (red), and Malich (green). At first, I was really surprised to see them come onto the plain. After all, the dragons and the Elves are mortal enemies in the book! I have to keep reminding myself that ultimately, it's just a set where the story takes place. Rezan mainly spoke, and contrary to his traits in the book, he was exceedingly gentle. He said, "Almost no creature is portrayed as ambivalently as the dragon. We hoard wisdom and riches on one side, but are said to be brutal monsters on the other." Since I'm still having trouble reconciling the domineering "story rezan" with his appearance here, we got into the subject of "who's writing who?" again. R: "Yes, you can change the story at will. But that does not mean that you can change us or harm us. Us, the concepts and frequencies behind the characters." As we moved on (we were by now in the portal square) Elhin did turn up. Seeing the two of them so peacefully side by side, I wondered (again) why exactly the story needed to be told. E: "When the Elves and the dragons finally understood that they were ONE, both species left the earth. The 'Dragon Child' is our legend. It is the story of how we evolved. It describes what we were like when we had not yet reached our highest level of development. Our current frequency. You humans have also not (yet) reached your highest level of development. That is why you need something to strive for. A good example." T: That could be my work in the future? To tell your legends? Is that what I am? E: "You are a real scribe. And those are very hard to come by among you nowadays. Because you just don't train them anymore."

  • The Elves - Day 9

    14.05.2020 Today I'm glad I got a good connection quickly because I was exhausted. It really is as I suspected: my afternoon slump between 3 and 5 pm is always the ideal moment for me to start channeling. It even seems as if they literally call me and force me to take this break - at the moment when they wanted to talk to me anyway. I definitely have to bring up the subject again in the near future! My connection, as I said, was quick and deep. So deep, in fact, that there wasn't much imagery. Just the message sort of picked up where we left off. Elhin: "Dolores Cannon was a true scribe, did you know that? Nostradamus too, but he had to hide all his clear messages behind a wall of fog, unfortunately. And then, of course, there are many, many scribes whose names are not so well known." I was a bit taken aback by the topic, but you take what you can get. And it continued in that style. E: At the end of the day, the "scribes" produce a Bible or a religious text. T: I'm not writing a Bible. E: Says who? T: Ummm ... E: Everyone will tell you that writers build something called a 'canon'. A canon is a set of rules, teachings and occurrences from their story universe - the point in the morphic field that they pick. A canon is used by people to relate to others. Luther's canon was completely different from the Catholic canon; and fans of everything from Harry Potter to Star Wars regularly get into endless fights over what fits into the canon and what doesn't. That's why you say people fight "religiously" or "almost fanatically" for something. They follow a canon, it's only natural! If these people find other people who have the same set of thoughts in their head - that can be a Bible or a novel - then this group gets along well. YOU ARE WRITING A CANON. Meaning: the people who get to know your work also get to know each other. That's the point of this exercise (apart from the fact that the words had to be made manifest in the first place). Honestly, I shoved the word Bible out of my head as soon as possible. I was brought up in a house where that book was considered to be outdated, evil even. NOT because the book is evil, but because people do evil things and say: "Well it says here I have to burn you alive, so you can go to heaven. You can thank me later!" Also, it is of utmost importance to note that the spirit world ALWAYS takes things literal. Purely literal. And the word "biblia" means "a collection or library of books". Nothing more. The word is not at fault here. Our interpretation of all the meanings of this simple word is. In hindsight, I can very much stand for the sentence, that I write "biblia" - a collection of (currently 7) books. Not more, not less than that.

  • The Elves - Day 10

    15.05.2020 Even before channelling, I realised a few things today: 1) I love heathland so much because it resembles the "cliff" ecosystem - rugged beauty instead of rose gardens. 2) The mini wildlife sanctuary by our supermarket where I sat down to channel today is the closest thing to this grassland! This time I was actually greeted by Tayrenn, the Dragon Child himself. We were resting, side by side, in the grass of the Elven plain. He actually had some good news about the novels. He said, "From now on, you know most of it!" I guess I actually know the main twists and characters of the story now - and especially in the last few days, much more information for the novel is trickling in than I can write down! The little guy also confirmed what I've suspected for a long time: in future I'll sit down/lie down quietly for about 30-40 mins in the morning, pick up the day's information from above, write down the bullet points immediately and then work them out into proper text later. This approach is going to be so effective! :) Then things got more serious. Tayrenn was in good spirits and joked a lot, but he also stressed that I should stay relaxed. Otherwise, I'm sure I'll close the channel (my statement, not his). As a side note, I told him that I could have started the Dragon Child when I was 16. The little tyke turns around and asks me: Do you have any rough idea how cheesy the 1st book would have been then? Cheeky rascal! But he's right, of course. T: Are the Elves actually omniscient from their position? DC: Well, we have a general overview, yes. But we don't see everything, no. We have too earth-like a frequency for that. Somehow we came to the general topic of writing: DC: You know, you've been surrounded by people who write all your life: Grandpa H. - journalist Grandma G. - volunteered as a journalist Grandpa H. - patient reports your father - technical documentaries your mother - studied languages to become a teacher your uncle A. - journalist But none of them told you much about the industry - unfortunately. So we waited until the very moment you knew the basics of the craft. Spring 2010, shortly before graduation, the time had come and we sent the big starting signal! The rolling stone that started it all. [I am indeed an online journalist, diploma and all. Graduated in 2010 :) ]

  • The Elves - Day 12

    17.05.2020 T: The polar world really does go back and forth like a pendulum, doesn't it? castle - hut money - love cold - warm happy - unhappy right - wrong Elhin: It goes on and on. For æons. And only when the pendulum stops, something new happens. Ascension happens. In art, you often equate an unmoving pendulum with death (negative judgment), but nothing could be further from the truth. When the pendulum FINALLY rests at its equilibrium point .... there is peace. Everything and nothing is one again. God does not dwell on the one side the pendulum swings to, or the other. She dwells in the zero point and sends you swinging (because you asked for it!). T: I am happy. Even after 12 days I have never really been without connection to you and the Elves. At the same time, of course, guilt creeps in now and then. For not continuing to work on my novels and stories etc. He interrupted me in this thought - something that does not often happen in non-physical space. E: Nothing is as important as this challenge at the moment. NOTHING. That's encouraging, of course. Besides, it's not exactly like I'm just hanging out on the couch watching Netflix! In between he said again, "Put on the identifying marks of a writer, there are plenty." When I asked if I should really check in with other extraordinary people (German filmmakers like Johann Nepomuk Maier or the woman who pretends to have elven DNA and channels elves too) he said, "Go ahead, do that, but AFTER the Challenge is finished!!" The three interviews I did actually give to Nepomuk Maier in spring 2021 can be found here! [German audio]

  • The Elves - Day 13

    18.05.2020 Today I was welcomed with a delicious drink - with raspberries and lemonade or something. Very nice! Now, you can't necessarily taste anything in the spiritual world, but of course, it's the gesture that counts. :) After all, we had something to celebrate - my job interview went well! Moira: Now you will encounter a lot of beautiful and important impulses. Along the way, I keep having little flashes of this story I'll have to write down someday about the author whose story world collapses, who goes completely insane as a result, and falls into total depression when her connection is gone. Suddenly someone in the house by the fireplace said, "You go into depression when the thing you were born for is out of reach. When your connection with it has been severed - or when you BELIEVE it has been severed." And bang, right after that sentence my timer sounded and my connection was gone! *sigh*

  • The Elves - Day 14

    19.05.2020 I got on the Elven plane today with my own imagined wings for a change, that was fun too! But I didn't meet anyone, which hasn't scared me for a while. Suddenly, though, I got the strong impulse to take off again and soar much higher above the plain. At first I 'only' went a few hundred metres up. It struck me that I had never seen the floating island of the Elves from this high up. But the urge was still there, so I took another big leap and suddenly floated so high that I could already see space with the starry dots around me. And a giant moon! All of a sudden, a voice came out of nowhere while I was looking back at Earth and remarked: "Yes, look at it all carefully. How many protective layers there are." What was meant, of course, was the morphic field that I was trying to look at. I didn't manage to find out who exactly was talking, and I guess it doesn't matter, because we jumped straight into the next topic. But before that I had to turn off my music, it was requested. [This happens regularly with spirits. Some enjoy metal, some classical music. Just like humans!] No idea why exactly, but the unseen entity went on to explain more about the morphic field. The (very pleasant) voice said: "The gases around your planet would escape without these various barriers, and the solar storms would sweep everything away from the planet." I remarked that gravity keeps the "heavy" gases on the ground, but the voice replied: "You think so, yes. But gases don't really work that way. It's the Earth's energy shield that holds everything together in the end. This shell, through which some things CAN and some things CAN'T travel, forms the boundary between the vacuum of space and the atmosphere." In response to my side question about why there is a vacuum in space at all, it said: "When something explodes - as the universe did with the Big Bang - there is 'nothing' between the outward-exploding particles until so much time has passed that 'something' (e.g. air) could fill the gaps there. The vacuum is thus a direct leftover of the Big Bang, but since NOTHING existed before, nothing could fill the space between the outwardly drifting particles. When the universe will some day implode again, the vacuum becomes less and less strong until the initial state (God point) is reached again. But back to that formidable shield of the Earth! Some (few) entities can penetrate this hull to visit you (physically) - but most CANNOT. Similarly, the morphic field is all you humans know and need. Leaving Earth is dangerous for you not because the air is missing there, or the plants, or the food, but because you are leaving THE FIELD! A star travelling civilisation must first figure out how to export the information from the field - in addition to learning how to physically travel by spaceship. No matter what your technical progress, you will not be able to leave Earth (and stay sane) until energy science is rediscovered! Sure, you can astrally leave Earth when you are out of the body or physically dead. But the absolute 'sweet spot' of communication with other entities [while we are incarnated] is here - slightly above the field. Removed from all the earthly noise and closer to the nothingness that makes All-that-is possible. Incidentally, most interesting things have always happened at a border. Or directly under a barrier (skin, energy shell). And then, when two seemingly incompatible parties meet in the middle! Whenever you manage to get to that point just above the morphic field, we can provide the rest." Unfortunately, exactly with that last word, my timer sounded (40 minutes). I then quickly asked who he/she/it was, but all I got was: "Not of consequence." Funny coincidence: 2 minutes after the timer went off, my daily alarm clock (15:30h) rang and showed "Channelling Challenge!" on the display. I wonder if the entity I was talking to wanted me to come back again ;)

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